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Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment.
Museology --- Museums --- Musées --- Periodicals --- Périodiques --- museum --- Museos. --- Museums. --- Museumkunde. --- Kunstmusea. --- Kunst. --- Cultuur. --- Musée. --- Muséologie. --- Patrimoine culturel. --- Art and design --- Social Sciences --- Museums & Heritage Organizations --- Museum Management & Curatorship. --- Public institutions --- Cabinets of curiosities --- Angkor. --- Cambodja.
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99634
Musea --- Vlaanderen --- Brussel --- Museums --- 069 )* MUSEA --- musea --- museumgids --- S2007543.JPG --- 037 --- museumgidsen --- #SMV:encyclopedie --- #SMV:museum --- #VCV monografie 2005 --- 069 <493> --- 613 Musea --- 069 <493> Permanente tentoonstellingen. Musea--België --- Permanente tentoonstellingen. Musea--België --- Public institutions --- Cabinets of curiosities --- 493.23 --- 7 --- 493.8 --- Museology --- museums [buildings] --- Flanders --- Brussels --- museum --- Museum --- Emigratie --- Brussel. --- Vlaanderen.
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collection development --- Museology --- collecting --- museums [institutions] --- Netherlands --- Museums --- Cultural property --- Collection management --- Protection --- collectiebeheer --- Nederland --- Public institutions --- Cabinets of curiosities --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Nederland.
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By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting 'difficult' objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for
Museums --- Musées --- Acquisitions --- Moral and ethical aspects. --- Collection management. --- Aspect moral --- Gestion des collections --- museum --- museologie --- 21ste eeuw --- Musées --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Public institutions --- Cabinets of curiosities --- Collections management --- museologie. --- museum. --- 21ste eeuw.
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History --- musea --- Sociology of culture --- museums [buildings] --- cultureel erfgoed --- Civilisation --- tentoonstellingen --- Architecture --- museumkunde --- Cultural property --- Museums --- #FARO gidsen_museale ontwikkelingen --- Public institutions --- Cabinets of curiosities --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- Protection --- Historiography --- Philosophy --- Social aspects --- Government policy --- Protection. --- Historiography. --- Philosophy. --- Social aspects. --- museum --- museologie
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"We live in a museum age," writes Steven Conn in Do Museums Still Need Objects? And indeed, at the turn of the twenty-first century, more people are visiting museums than ever before. There are now over 17,500 accredited museums in the United States, averaging approximately 865 million visits a year, more than two million visits a day. New museums have proliferated across the cultural landscape even as older ones have undergone transformational additions: from the Museum of Modern Art and the Morgan in New York to the High in Atlanta and the Getty in Los Angeles. If the golden age of museum-building came a century ago, when the Metropolitan Museum of Art, the American Museum of Natural History, the Philadelphia Museum of Art, the Field Museum of Natural History, and others were created, then it is fair to say that in the last generation we have witnessed a second golden age.By closely observing the cultural, intellectual, and political roles that museums play in contemporary society, while also delving deeply into their institutional histories, historian Steven Conn demonstrates that museums are no longer seen simply as houses for collections of objects. Conn ranges across a wide variety of museum types-from art and anthropology to science and commercial museums-asking questions about the relationship between museums and knowledge, about the connection between culture and politics, about the role of museums in representing non-Western societies, and about public institutions and the changing nature of their constituencies. Elegantly written and deeply researched, Do Museums Still Need Objects? is essential reading for historians, museum professionals, and those who love to visit museums.
Museology --- Museums --- Museum exhibits --- Cultural property --- Art objects --- Musées --- Objets exposés --- Biens culturels --- Objets d'art --- History --- Collection management --- Political aspects --- Social aspects --- Histoire --- Gestion des collections --- Aspect politique --- Aspect social --- museum --- museologie --- Musées --- Objets exposés --- History. --- Political aspects. --- Public institutions --- Cabinets of curiosities --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Bric-a-brac --- Objects, Art --- Art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- American History. --- American Studies. --- Cultural Studies.
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Journalist, criticus en essayist Paul Depondt heeft enkele sleutelfiguren uit het brede erfgoedveld geïnterviewd om zo het collectiebeleid in Vlaanderen vanuit verschillende perspectieven weer te geven en op zoek te gaan naar een basis voor een toekomstgerichte dialoog. Een heel interessant werk waarbij heel uiteenlopende instellingen aan bod komen, elk met hun eigen problematiek en toekomstmogelijkheden: musea, archieven, de Verbeke Foundation, het Panamarenko Collectief, het Nederlandse Openluchtmuseum, ...
cultureel erfgoed --- Book acquisition --- collection development --- kunstbeleid --- museology --- collectievorming --- kunstverzamelingen --- Museology --- Flanders --- Bibliotheken --- Collectievorming --- #SMV:museum --- #SMV:beleid --- 610 Informatiecentra. Algemeen --- 581 Monumentenbescherming, cultureel erfgoed --- C3 --- musea --- bibliotheekwezen --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- 069.5 --- Museologie ; Vlaanderen ; beleid ; aankopen en collectie --- kunst --- collecties --- verzamelingen --- MAC's --- M HKA --- KADOC --- Agentschap kunsten en erfgoed --- Nederlands openluchtmuseum --- MSKst --- KMSKA --- Middelheim --- Amsab --- Bokrijk --- Musea Brugge --- SMAK --- Mu.ZEE --- Letterenhuis --- 7.078 --- Kunst en cultuur --- Museologie ; collecties --- Museums --- Collection management --- Public institutions --- Cabinets of curiosities --- collectie --- Bibliotheek --- Digitalisering --- Collectiebeleid --- Acquisitions --- Museum --- Erfgoed
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"Emotional Heritage brings the issues of affect and power in the theorisation of heritage to the fore, whilst also highlighting the affective and political consequences of heritage-making. Drawing on interviews with visitors to museums and heritage sites in the United States, Australia and England, Smith argues that obtaining insights into how visitors use such sites enables us to understand the impact and consequences of professional heritage and museological practices. The concept of registers of engagement is introduced to assess variations in how visitors use museums and sites that address national or dissonant histories, and the political consequences of their use. Visitors are revealed as agents in the roles cultural institutions play in maintaining or challenging the political and social status quo. Heritage is, Smith argues, about people and their social situatedness, and the meaning they, alongside or in concert with cultural institutions, make and mobilise to help them address social problems and expressions of identity and sense of place in and for the present. Academics, students and practitioners interested in theories of power and affect in museums and heritage sites will find Emotional Heritage to be an invaluable resource. Helping professionals to understand the potential impact of their practice, the book also provides insights into the role visitors play in the interplay between heritage and politics"--
Museology --- museology --- Museums --- Cultural property --- Historic sites --- Museum visitors --- Public institutions --- Cabinets of curiosities --- Visitors to museums --- Persons --- Museum attendance --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- History --- Historic buildings --- Monuments --- World Heritage areas --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- Psychological aspects. --- Social aspects. --- Political aspects. --- Visitors --- museum --- cultureel erfgoed --- emotie --- Psychological aspects --- Interviews --- Political aspects --- Social aspects --- Sociology of cultural policy --- cultural property --- historic sites --- cultureel erfgoed. --- emotie. --- museum.
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In this comparative, international study Marilena Alivizatou investigates the relationship between museums and the new concept of "intangible heritage." She charts the rise of intangible heritage within the global sphere of UN cultural policy and explores its implications both in terms of international politics and with regard to museological practice and critical theory. Using a grounded ethnographic methodology, Alivizatou examines intangible heritage in the local complexities of museum and heritage work in Oceania, the Americas and Europe. This multi-sited, cross-cultural approach high
Conservation. Restoration --- cultural property --- Museology --- museums [institutions] --- museum administration --- Ethnological museums and collections. --- Cultural property --- Museums --- World Heritage areas --- Anthropologie sociale et culturelle --- Biens culturels --- Musées --- Sites du patrimoine mondial --- Protection. --- Management. --- Musées et collections --- Protection --- Gestion --- museum --- immaterieel cultureel erfgoed --- Musées --- Musées et collections --- Ethnological museums and collections --- World Heritgage areas --- Public institutions --- Cabinets of curiosities --- Ethnological collections --- Ethnology --- Anthropological museums and collections --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- Government policy --- Administration --- Management --- World Heritage areas. --- World Heritage sites --- Historic sites --- Natural areas --- Government policy. --- Administration. --- Museum conservation methods. --- Patrimoine oral et immatériel de l'humanité. --- Patrimoine culturel --- Conservation et restauration. --- Méthodes de conservation. --- Politique publique. --- immaterieel cultureel erfgoed. --- museum.
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Folklore --- History of Antwerp --- Folklore Museum [Antwerp] --- Bewaring van het culturele erfgoed --- Cultural heritage [Protection of ] --- Cultural property [Protection of ] --- Cultureel erfgoed--Bewaring --- Erfgoed [Bewaring van cultureel ] --- Héritage culturel--Protection --- Musea --- Museums --- Musées --- Volkskunde --- volkscultuur --- Volkskundemuseum Antwerpen --- Antwerpen --- volkskundemuseum (Antwerpen) --- erfgoed --- volkskunde --- musea --- Folk art --- History. --- 912 Volkskunde --- 39 <493-17> --- Volkenkunde. Zeden en gebruiken. Culturele antropologie--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- 39 <493-17> Volkenkunde. Zeden en gebruiken. Culturele antropologie--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- History --- Public institutions --- Cabinets of curiosities --- Peasant art --- Popular art --- Art --- Art, Primitive --- Volkskundemuseum (Antwerp, Belgium) --- Museum voor Volkskunde. Antwerpen --- 908.2 --- Volkskundemuseum (Antwerpen (stad)) --- Volkskundige museums--toekomst --- Musea (Parijs) --- volkskundemuseum (Antwerpen). --- erfgoed. --- volkskunde. --- musea (België). --- museumcollecties. --- musea (België) --- museumcollecties --- Volkskundemuseum Antwerpen. --- Antwerpen.
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